In Coralie Fargeat's new feminist terror film The Substance, dangerous societal beauty criteria are actually the real monsters. They (women objectification, the fingertip of "the outdated," the proliferation of a business improved body alteration) nourish a creature of a cycle that leads Demi Moore's fading TV individuality character Elisabeth https://watchdeadtone.wssblogs.com/30034054/margaret-qualley-in-the-substance-2024